The first encounter with the eclectic performances of folk and tribal dances at the Shilpgram Muktangan left a sense of disappointment. One would expect the Shilpgram Utsav to serve as a platform to celebrate and encourage the rich traditional arts and crafts of our rural and tribal communities of Bharat. The purpose should be to preserve and promote these forms of artistry. Shilpgram has the potential to bring forth the vibrant and diverse cultures of different states across India, allowing people to witness and appreciate the rural and tribal heritage on a unified stage.
As spectators sat in the sprawling grounds of the open-air amphitheater during the inauguration ceremony, directed by choreographer Maitreyi Pahadi from Delhi, expectations were high for a showcase of Manipuri Pung, Dhol Dholak Cholom, Rajasthan's Chari and Kalbeliya, Maharashtra's Koli, Karnataka's Dholu Kunitha and other folk performance from various parts of Bharat. However, the fusion intended turned into confusion, as the stage became overcrowded with nearly 300 performers. Despite the abundance of colorful moving lights and smoke the artists seemed to lack the illumination needed. The choreographer's choice of music and songs also fell short, especially during the performances of Kalbeliya (Rajasthan), Koli (Maharashtra), and Dekhni (Goa), leaving the audience disappointed. The musical accompaniment for Chari (Rajasthan) and Rathwa (Gujarat) dance lacked authenticity. The choreographer's attempt to enhance the visual appeal with additional lighting seemed unnecessary. The costumes and get up of folk artists is aesthetically very rich and vibrant. They require plain light only.
In the finale of Jhankar, the cacophony overshadowed the sweetness of the music, with harsh sounds prevailing.
The use of a large LED screen in the middle of the stage should have displayed names of art form and the State along with most relevant geographical and cultural backgrounds during the performances, But it did not help on the first day, however next day it did mention the names of dance and State during folk performances after vocal concert of Punjabi Sufi. But well dressed up folk and tribal artists had to wait for their turn for prolonged time displaying their tremendous patience.
It is essential for cultural events like the Shilpgram Utsav to showcase the true essence of India's diverse folk and tribal traditions. Instead of flooding it with many classical and popular star art forms the focus should be on giving due recognition to our indigenous traditional artists. Shilpgram has the potential to be a national cultural celebration, honoring the invaluable contribution of our traditional arts to the unity and greatness of our country..Ek Bharat Shreshth Bharat. As we move forward, let us hope that our country's folk and tribal artists receive the recognition they truly deserve.
